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Merce Cunningham
MontariMerce CunninghamCunningham Einstein : nu exista puncte fixe in spatiuCunninghma filosofia ZEN momentele de constienta. Zen uneste subiectul cu obiectul.Cunningham DADAISMCunningham John Cage si muzica aleatorieMomente esentialeEste modelul dansului influentat de filosofia zenCarolyn BrownSuzuki spune ca arta orientala descrie spiritul in timp ce arta occidentala descrie forma.Cunningham Artele ZENRelatia cu spatiul 22 de trasee care relationeaza prezenta fixa a corpului, dinamica corporala cu spatiul scenicOrganizare cu ajutorul aleatorismului : interventii ale corpului / performerului in compozitia vizuala si energetica a compozitiei; explozii gestuale, asamblari, distrigeri si recompuneri de forma a grupului.Tehnica
Summerspace (1958). Design Robert Rauschenberg6
Un dans fara centru2. Costume poitiliste in acord cu background-ul creeaza iluzii optice, insusi spatiul primeste vizibilitate3. Un spatiu palpabil continuu redefinit de corpul performerului4. Spatiul este un camp de forta, generat de un flux magnetic intre corp si spatiu5. Univers heraclitean, continuu supus metamorfozeiSummerspace 19587
Nocturne
Story, 1964Alte colaborari cu Robert Rauschenberg9
Beach birds for the cameraRobert Rauschenberg Merce CunninghamSuite for five in space and time 1956
Music: John CageDesign: Robert RauschenbergDancers: Merce Cunningham Dance Company
Walkaround Time, 1968, Music: David BehrmanDesign: After Marcel DuchampDancers: Merce Cunningham Dance Company
Rainforest
Andy Warhol, Silver C
Walkaround time, Design Jasper Jones
Walkaround time
Sursa : Marcel Duchamps, The large glass
Marcel Duchamp, The Large glass
19Marcel Duchamps, Nud coborand o scara
Split Sides 2003, Design: Catherine Yass, Robert Heishman,.James Hall, James IngallsDancers: Merce Cunningham Dance Company
Points in space 1986. Muzica John Cage, Voicless essay
Points in spaceUn colaj sonor din soapte, voci care accentueaza miscarea, reactii imprevizibilePictures 1984One of the most striking elements of Mark Lancasters dcor was the lighting, which shown against the backcloth, capturing the dancers movements like photographic images taken by a still camera. Cunninghams choreography for Pictures frequently isolated small groups of dancers, in intricate, linked poses, as in when the last flash of light hit the stage, and Cunningham lifted the motionless body of Patricia Lent, then the newest member of the company, and held her horizontally, as if it were the last image in a photo album. Lancasters costumes were gray or black leotards and blue sweatpants. The musical score by David Behrman was performed by Takehisa Kosugi.
Jasper Jones , Field Painting
Field Painting
Cunningham, Field DancesMinutiae, design Rauschenberg
Minutiae
Combines
Combines
Combines
32Rausxhenberg, Red paintings
Interscape, 2000, design Rauschenberg34BIPED
BIPED
Biped
Biped